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The Girl with the Golden Parasol

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Written by Uday Prakash in Hindi / translated by Jason Grunebaum This book, with a cover image which reminds me of van Gogh, came to my hand after the bilingual reading presented by the author and the translator at the University of Chicago yesterday. The author defines this novel as a love story. He is quite modest. Rahul, in the middle of storms of corruptions and the casteism, falls in love with a girl with a golden yellow parasol and changes his major to Hindi literature to get closer to her. The moment when he feels the love so intensely is described like this: the golden yellow parasol turns into a butterfly and a butterfly sitting on the tip of the parasol the parasol itself. Then, 'now the butterfly, casting a spell over the whole world, had brought Rahul's sense of his own existence under its wing.'--How beautiful graphically! While reading this novel, my mind wandered around three countries: India, the U.S. and Korea. In the spell of globalization and the casteis...
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Red panda

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  The watercolor master classes were over last week. It wasn't so easy to get up before 4 am to sit on the zoom meetings, but once they started, I enjoyed them. An early bird was not my life style, but I think I can enjoy it with help of a nice strong coffee with milk. After the classes were over, I began to watch the wildlife course videos that were added to the classes. Yesterday, I painted along a red pander and then painted the same subject by myself. I am happy that it turned out. I am a little more confident now. I can make muddiness for my advantage. 
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Bassist Stanley Clarke

Trio! Stanley Clarke, Bass Béla Fleck, Banjo Jean-Luc Ponty, Violin ...at Chicago Symphony Center A week ago, I told my friend that it was not easy for me to appreciate the bass itself because the tone tends to be very low and never predominant. But today, I need to change what I said. Most of all I haven't seen a more wonderful picture of a man with a bass than tonight. The big instrument always seemed to suspend the player in an awkward position. But Mr. Clarke dominates the instrument and plays with it. The gigantic instrument sometimes becomes a drum with trembling strings or sometimes becomes a guitar which seems to be passed onto a Spanish flamenco music player. All the time he looks much more passionate than any flamenco dancer. I am deeply impressed that one can explode such dynamic sound and rhythm from the bass. Mr. Ponty also presents violin sound which I never heard before. It seems that he doesn't care making beatiful melody and he likes to go beyond the tone withi...
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