Trio! Stanley Clarke, Bass Béla Fleck, Banjo Jean-Luc Ponty, Violin ...at Chicago Symphony Center A week ago, I told my friend that it was not easy for me to appreciate the bass itself because the tone tends to be very low and never predominant. But today, I need to change what I said. Most of all I haven't seen a more wonderful picture of a man with a bass than tonight. The big instrument always seemed to suspend the player in an awkward position. But Mr. Clarke dominates the instrument and plays with it. The gigantic instrument sometimes becomes a drum with trembling strings or sometimes becomes a guitar which seems to be passed onto a Spanish flamenco music player. All the time he looks much more passionate than any flamenco dancer. I am deeply impressed that one can explode such dynamic sound and rhythm from the bass. Mr. Ponty also presents violin sound which I never heard before. It seems that he doesn't care making beatiful melody and he likes to go beyond the tone withi...
Wotherspoon, Terry. (2004). 2nd Ed. Don Mills, ON: Oxford University Press. Sociology, which was first used by the French writer Compte in the nineteenth century to read the rapidly changing society after the Industrial revolution, is foremost a study of society and is divided into diverse fields which are determined by the perspective each study takes. Three major perspectives are structural functionalism--focusing on the orderly social structure, like a living organism, thus fundamentally aiming to stablize the structure by identifying and removing harmful elements in the social structure--interpretative analysis--emphasizing a micro level human interactions and social symbols on the basis that the world is socially constructed and the reality exists only through the member's relationship with other members, language, knowledge, etc--and critical sociology--as seen in Marxism and feminism, analyzes fundamental structural inequality of the society and aims to subvert the underlyin...
This afternoon I went to the Museum of Fine Arts to see the exhibition, Imagine, that was prepared to celebrate the 40th John Lennon and Yoko Ono’s famous Bed-in in Montreal in 1969. They did this performance during their honeymoon. Expecting intensive media attention, they wanted to take advantage of this opportunity to promote world peace, so they began this Bed-in performance in Amsterdam for a week. Then, they planned to go to New York, but Lennon’s entry was denied because of his drug conviction record, so flew to Bahamas. After spending one night in the heat, they flew again to Montreal. So, it seems that they happened to have the second Bed-in performance in Montreal by chance. It appeared that they received sufficient media attention. I wonder whether the media was disappointed that they were wearing pajamas all the time in their bed. This performance, in particular, was done after their sensational nude album jacket was released and Ono’s groundbreaking conceptual art had draw...
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